Many people get nervous about auditions, but there's no need to worry.

Remember, everyone else is in the same boat – everybody has to audition for a place each year, even if they have been a member of the NCO before.  A big part of the NCO experience is about enjoyment, and we want that to happen right from the start, at your audition.

NCO is the first orchestra I have auditioned for and I loved the experience. Even if I don't get in, I thoroughly enjoyed auditioning and I will try again next year!

Applicant

NCO auditions usually last up to 15 minutes and is your chance to show the adjudicators how good you are. Percussionists and harpists need additional setting up time, so their audition lasts up to 30 minutes.

Auditions take place in October/Early November - read more here

Previous applicants say that the more prepared they are, the more relaxed they can be in the audition. So make sure you know what you have to do.

Prepared pieces

We don't ask you to play scales, but we do ask you to play two pieces of music up to five minutes each.  They should contrast in speed and style, to show the range of your ability.  It is fine for them to be extracts of longer pieces, but remember they should be no longer than five minutes each.  It is not enough to play one longer piece with contrasting sections, please prepare two.

When choosing your pieces, please think carefully about what you can play confidently.  It's much better to play something you're familiar with really well, than to overstretch yourself with something new that you haven't had time to practise.

sight reading

Sight reading is a really important skill for an orchestral musician to develop, so we also ask you to play two pieces of sight reading - one prepared and one unprepared. For the prepared piece you'll have a few minutes to study the music and practice before your audition, when you're warming up. For the unprepared piece you'll have 30 seconds to look through the music in the audition itself when you can work out fingerings and/or sing through the music if you find this helpful. The adjudicators will ask you to play both pieces during your audition.‚Äč

Accompanists

For your prepared pieces, you can choose whether or not you wish to be accompanied.  NCO doesn't provide an accompanist because there isn't sufficient time for you to get to know each other in the time before your audition. So if you would like to be accompanied, you need to bring your own accompanist. The following website may help you to find an accompanist should you decide you would prefer to be accompanied: www.pianoaccompanists.com. There's no disadvantage to playing unaccompanied, so please think about what will make you feel most comfortable.

Please note that recorded accompaniment is not permitted.

Adjudicators

There will usually be two people listening to your audition. They will introduce themselves and ask you what you are going to play. They are very experienced and understand what it is like to feel nervous. They are also very friendly and want to hear you play your best.

Filming

We film every audition. This is because we have different teams of adjudicators around the country and we need to make sure that marking is consistent. Footage will be held in accordance with Data Protection guidelines and will not be used for any other purpose than moderation which is carried out by specialised instrument tutors.

Notes for particular instruments

  • Viola players aged 12 and over should be able to read the treble clef fluently.  We prefer younger players to have at least been introduced to it.
  • Cellists aged 12 and over should be able to read the tenor clef fluently.  We prefer younger players to have some familiarity with it.
  • Trumpeters may come across transposition on an NCO course.  It is a good idea to practise some parts in A and C with your teacher beforehand to help you prepare.
  • French horn players may also come across transposition.  Ask your teacher for help with F and E flat.
  • Trombonists aged 13 should be able to read the tenor clef fluently.  We prefer younger players to have some familiarity with it.
  • Percussionists are expected to play tuned percussion (usually xylophone), timpani and snare drum at audition.

Results

We know that candidates anxiously await the results of their audition so we release the results as soon as possible. We don't give out any results until all auditions have taken place and the marks have been moderated.  Once decisions have been made we will contact you to let you know whether you have been successful. We don't give out results over the phone.